I guess this is a good thread to tag an article onto? I enjoyed a piece by James Wood in this week’s New Yorker about Zeppelin, inspired by but barely discussing Bob Spitz’s new book Led Zeppelin: The Biography. It’s making me go back to the band again, listening for what Wood writes about:
Listen again to “Rock and Roll” and you can hear how [Bonham] swings - he’s swiping his sloshy hi-hats back and forth and bouncing the beat forward, less the archetypal heavy-metal player than like the elegant mid-century big-band drummers he admired.
I opened Spotify and played “Rock and Roll”, a song I listened to far too many times in the 80s, and yeah! Cool! I have almost zero ear for “what’s going on” in music, and I love it when articles like this explain things to me.
In “Good Times Bad Times,” the opening song on the group’s first album, Bonham … introduces something that, it would seem, hadn’t featured before in rock—a series of fast triplets on the bass drum, but with the first strike of the triplet merely implied, so that the beat falls more heavily on the second and third strikes.
To Spotify again and … ah crap. I briefly fall into existential despair at being a middle-aged, middle-class teacher listening to Led Zeppelin on a shitty bluetooth speaker. While reading The New Yorker, no less. Bass drum? What friggin’ bass drum?
I’m also somewhat chagrined the piece doesn’t mention “Gallows Pole”, which has been my favorite Led Zeppelin song for at least twenty years now. However, I’m a sucker for murder ballads.
Despite that, fun article, doing that New Yorker thing of not quite trying to be cool, and therefore not failing at looking cool, and also trying to not be pretentious, but not quite succeeding.
Possibly paywalled, but I think the New Yorker is one of those sites where going in porn private mode helps. (The “diabolically bad as people” is a far smaller part of the piece than the subtitle would suggest.)