And I have plenty more examples. But none better illustrates my point than the time I was shooting a cell phone commercial in Dazhi. I was watching the stunt guys rehearse a scene and knew right away, it wasn’t going to work out too well for the poor kid. I never bring my phone onto set, but something told me I should in this instance. Well…here it is…and it is not for the squeamish.
I’ve seen crews work for 17 hours straight. I’ve seen drunken producers completely take over and micromanage shoots. And of course, anyone that’s ever even spoken to an “agent” is immediately shocked at the lack of transparency and exorbitant commissions that these vultures operate with. Impunity.
Well, they need to be checked and checked hard. I am going to send this thread to a friend of mine in IATSE. It would be helpful if anyone else has horror stories from their experiences shooting in Taiwan. Taiwan should unionize. And Hollywood unions (SAG and IATSE) should force them to.
We can do something about this. Or at least, we can try. Please share this thread with anyone you know that is or has been involved in the industry.
I was working on a shoot where the clock on the wall behind me fell to the ground and shattered beside me because—unbeknownst to me—it had been affixed to the wall with a few meager pieces of sticky tack. I also recently worked on a job where a section of what looked like crown molding suddenly tore free from the wall and crashed down. Thankfully, no actors or crew members happened to be sitting or standing under it at the time.
Oh yes, I have nothing against unions per se. I just mean a bunch of westerners telling them they need to make a carbon copy of SAG-AFTRA (TAG-TAFTRA?) isn’t necessarily the best approach.
That’s ridiculous. I hope they have insurance for the poor guy. I was just reading about the resident evil movie stuntwoman who lost her arm and they skimped out on insurance screwing her over.